WWE in the Reality Era Should Mean More Than Worked Shoots

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Just this week on WWE programming, there were at least three different promos that could be considered “worked shoots.” That’s overkill, even in the so-called Reality Era.

In 2011, WWE Hall of Famer Hulk Hogan tweeted out a message to his fans and detractors alike. Nearly seven years later, that single tweet has been mocked, referenced, and repurposed by a lot of people. The part that everyone went nuts for? The phrase, “…work yourself into a shoot.” (For the uninitiated, a “work” is a scripted part of the story, while a “shoot” is a legit fight/diss/what have you.)

To add some context, the entire tweet also talks about “working a work,” and if anyone would know about working a work until you work yourself into a shoot, it’s Hogan. The master of backstage politics has ruffled feathers in locker rooms the world over, leading to blurred lines between kayfabe and reality.

But now, WWE has entered into its “Reality Era,” where kayfabe is on life support more often than not. Reality television shows, social media, and the rise of “smarks” and insiders have all contributed to this new normal. It’s strange, sometimes – certain scripted actions don’t jive with what “real life” is like, or a story takes a ridiculous left turn out of the blue. Overall, though, it’s been mostly positive for WWE.

There’s one part of the Reality Era that is starting to become a little much. And that’s the worked shoot. Vince McMahon and company absolutely love to have a superstar cut a promo that sounds like it’s off script. Remember CM Punk’s Pipe Bomb promo? That’s a prime example of a worked shoot. Punk was unhappy with the creative direction of WWE, so he was (loosely) scripted to vent his frustrations. While no one knew exactly what he would day, they knew he would sound legitimately angry.

While that may be the most famous example in recent memory, there’s a ton more examples. Any Miz promo from Talking Smack. 90% of what Paul Heyman says. The promo battles between John Cena and Roman Reigns last fall. The entire build to two WrestleMania matches between The Rock and Cena. The positive response from crowds for the realism seems to encourage WWE to continue.

This week, though, there were three separate promos that could be considered worked shoots. For two shows, that’s too many. Big E did most of the heavy lifting on SmackDown Live, but The Usos brought up their lack of WrestleMania matches. On Raw, Cena broke the fourth wall regarding his WrestleMania plans (and wishes), while Roman Reigns ethered the absent Brock Lesnar.

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These segments were all well and good, but there has to be some kind of a limit on how often WWE pulls this arrow out of its quiver. It’s possible to do “reality” without forgetting that WWE is still scripted programming. Give the characters real motivations, and let them respond to situations logically. Boom – that’s reality.

If too many promos start becoming shoot-based, the show will start to lose its structure, and quality will suffer. Think of it this way – if you go see a play on Broadway, everyone has a well-rehearsed role to perform. If the star is capable, he or she may ad lib here and there – the gist of the show is the same, but the spontaneity freshens things up.

But if the entire cast starts ad libbing, well, there’s no continuity. Cue lines are missed, the story gets thrown out the window, and the audience may be entertained, but they’ll be confused, too. If every WWE promo – or the majority thereof – become worked shoots, the audience will eventually tap out.

Next: Raw's Biggest Losers: Brock Lesnar a No-Show

Almost seven years ago, Hulk Hogan tried to warn the masses with his tweet. Now, all the works are worked so good we all work ourselves into shoots all the time.